tcp isaccording to the Prog Archives...“TCP,
or
TEMPORAL
CHAOS
PROJECT,
is
one
of
the
fresh
bands
worthy
of
being
mentioned
these
days,
apparently
edging
out
with
a
good
amount
of
acclaim,
while
mainly
tagged
within
the
progressive
rock
aesthetic
boundaries,
drenching
the
classic
70s
influences
and
traits,
but
also
displaying
the
fairly
obvious
modern
sound
and
vigor.
At
the
core
of
the
ensemble
is
the
trio
formed
by
vocalist
and
lyricist
Henry
Tarnecky
and
multi-instrumentalists
Blake
Tobias
(keyboards,
bass)
and
Jack
Wright
(guitars,
drums).
Their
consistent
debut, The Way,
took
almost
a
full
year
to
be
created,
being
released
in
May
2009,
and
featuring
a
significant
group
of
track
guests:
Glenn
Arpino
playing
Mellotron,
Gary
Carciello
and
Glenn
Liljeblad
on
guitars,
vocalist
Desiree
Stisi,
back-up
bassists
Tom
Shiben
and
Reid
Tobias,
plus
drummer
Ange
DiGeronimo.
Already
hinted
was
their
taste
to
model
everything
after
the
classic
prog
of
the
70s,
largely
given
[to]
the
voluptuous
Mellotron
and
melodic
inserts,
or
the
strong
symphonic-neo
side
of
the
music,
which
earns
them
references
to
GENESIS
or
MARILLION
(respectively
Peter
Gabriel
or
Fish,
on
the
vocal
side).
Yet
the
band
itself
likes
to
emphasize
on
the
equally
strong
art
rock
taste,
part
of
an
imaginative
blend,
on
all-scaled
contrasts
and
twists,
on
imagery
and
landscapes,
on
the
enjoyable
and
pensive,
or
rather
on
counterpoint
and
desirably
complicated
structures,
born
out
of
adrenaline,
math-rock
inspirations
or
out
of
the
belief
that
it
stands
as
a
fundamental
and
endearing
trait
for
progressive
fans.
Catchier
tarts,
darker
metal
bursts,
or
a
jazzier
instrumentality
would
further
reveal
themselves
out
of
smaller
fragments
of
the
musical
work.
Other
frequent
references
to The Way lead to IQ, KING CRIMSON, FAMILY, PAVLOV'S DOG, PINK FLOYD-ish connotations, or moreover DAVID BOWIE.
Recommend therefore for something "paying homage to their heroes from the 70s yet creating a CD that can be listened to and enjoyed for its modern sensibilities" (Pete Pardo, Sea Of Tranquility). TCP plans a second album for 2010.”
::: Victor Bach (Ricochet) :::in other words...TCP
is
a
studio
band
pleased
to
be
able
to
extend
the
world’s
supply
of
progrock
music.
The
band’s
logo
is
symbolic
of
a
world
dichotomy
-
the
forces
of
division
between
those
who
work
towards
general
advancement
and
those
who
perpetuate
conflict
through
power
and
control.
It’s
fairly
safe
to
assume
most
people
agree
this
dichotomy
exists.
The
word temporal has dual meanings: temporary in nature, and having to do with world affairs.
The band formed in early 2008 when Blake met up with both Henry and Jack within a two week
period. Collaboration began as an informal process, but as time went forward it was quite
apparent a special chemistry was taking place. With a number of ideas flowing, healthy mutual
respect and the desire to press forward, the ball started rolling quickly. As the prerequisite
musical synergy kicked in, the signal was clear things were working out quite nicely. During this
time the music and lyrics remarkably just seemed to pour out uncontrollably. The next 11 months
were spent writing and recording what was to be “The Way”.
The band’s release of the album in May 2009 on the 10T label showcase their flair for big music,
dramatic twists, and dynamics ranging from serene to heavy. Having received acclaim by astute
fans and music critics, many see this album as the happy marriage of 70's old school art rock and
modern progrock - an assessment the band doesn't dispute.
members
Henry Tarnecky - vocals, lyrics
As
lyricist
and
vocalist,
Henry
makes
efficient
use
of
just
about
any
musical
landscape,
often
working
where
few
others
would
ever
think
of
going.
With
characteristics
many
find
reminiscent
of
Peter
Gabriel
and
the
early
David
Bowie,
Henry
has
the
diverse
flair
for
capitalizing
on
both
sparse
and
dense
landscapes
in
unmistakable
fashion.
His
vocal
line
work
with
complex
timing
and
syncopated
rhythm
is
a
fundamental
and
endearing
trait
for
progressive
fans.
His
lyrical
style
ranges
from
humorous
to
sobering,
pointed
to
ambiguous
-
his
words
often
the
impetus
for
further
thought.
The
word poet suits Henry well. In addition, he’s a composer and keyboardist.
Blake Tobias - keyboards, bass
Known
for
his
strong
melodic
counterpoint
and
rhythmic
personality
on
keyboards,
Blake
treats
progressive
listeners
to
what
made
Art
Rock
appear
on
the
radar
in
the
1970s.
Ranging
from
serene
to
bombastic,
he
presents
a
host
of
emotions
and
vibes
uniquely
suitable
for
the
occasion.
Equally
at
home
with
shades
of
classical
inspired
symphonic
stylings
as
well
as
modern
and
vintage
sounds,
melodic
themes
and
varieties
tend
to
run
deep.
Blake
also
holds
down
the
low
end
in
most
songs
where
his
bass
personality
occupies
both
melodic
and
rhythmic
zones.
He
also
is
a
composer,
part-time
guitarist
and
does
the
audio
engineering
for
the
band.
Jack Wright - guitars, drums
Jack’s
fluid
guitar
lines
combined
with
his
capacity
for
numerous
articulations,
styles,
and
tone
make
him
a
versatile
force.
No
stranger
to
rhythm,
he
is
as
fluent
as
a
rhythm
player
as
he
is
working
the
leads.
His
math-rock
orientation
and
preference
for
complex
time
signatures
translates
into
addictive
forays
into
a
vast
progressive
landscape.
Moving
from
melodic
to
eccentric
to
angular,
fluidity
is
just
one
of
his
trademarks.
His
drumming
follows
suit,
ranging
from
spartan
to
sophisticated
according
to
the
demands
of
the
song.
Jack
is
also
a
composer
and
bass
player.
special guests
Tom - bass
Abbey - consultant
Reid - bass
Gary - guitars
Tom Shiben
, bass on You
Can
Never
Know and Heavy BillyAbbey Burch
,
consultant
on
the
album
The Way
Reid Tobias
, bass on SheepGary Carciello
, guitars on Mankind, rhythm guitar on She
Glenn Arpino
, mellotron on SheepGlenn Liljeblad
, lead guitar on SheepAnge DiGeronimo
, drums on I’m Me and Liberate Me (not pictured)Desiree Stisi
- back-up vocals on Mankind (not pictured
